This ecstasy just won’t go away. In fact it’s building, building on itself and everything that has gone before. It is the coming of synchronicity as the norm, where you can’t get away from the interconnectedness of everyone and everything, no matter what you do or don’t do; yet in responding to the currents around you and within you naturally, like the 95% improvised classical Indian music concert tonight with tabla and sarod, you find that all choices are right, and the flow has carried you over 24 hours and more to your friend on the boat to give him the final push of recognition and acknowledgement of his own true genius, and in being there you recognize also the beauty of the bubble of the boat and its presence in the real world, i.e., the ocean ... and not only that but realizing that better than a swim in an artificial pool back in the city is a detour on the way home, to the summer swimming church where even today in late November the parking lot above the trail is full, and down by the water the sunny bluffs are taken with people sitting in homage, and there you find your spot before the shimmering silvery wavelets, and the luminous green moss, and the living rocks, and find your peace and stillness and knowing and oneness in presence of all this, and still it continues back up the trail on an ankle now suddenly free and healed, winged at heel ... on to town just in time for group practice, where again the immersion in music and waves has given you that frequency to hold, and it’s so big and so deep that everything is allowed, accepted into it, yet it’s also tight and focussed and dedicated enough to dance with clear measure in concert with the others, and of course now without effort, but simply attention and more knowing, and with that - but not too much - your eyes can close again for a moment and you can drift with it where it wants to go, and it drifts you where you want to go, which is everything in that ongoing flow ... so to the university where you zone out and refresh for ten minutes and then go to greet your friends there waiting, not only the two you were expecting but a handful more, and all saying midway between sets that we should have known to bring our other friends there, to share in that moment of joined creation.
23 November 2008
Tabla and Sarod
22 November 2008
Relationship, Emotion, and Spiritual Practice
21 November 2008
Personal and Transpersonal Emotions
Just after midnight. This journalist's deadline is extended, as you have come to expect from someone riding other waves and journeys. In this installment the issue of feelings arises. And I am here not just to do the usual tapdance around the subject with fine-sounding phrases.
Actually as I write I must say the urge to accomplish too fat birds with one stone - the expression of feelings and wider publication - forms a dual purpose with power: as I rise to the occasion with strength and inspiration. But then in the next breath I relax into the winter sleep, forgetting your presence on my doorstep. Have I not yet invited you in? When you say How are you, how am I (feeling, that is ...)?
At the moment I can identify ...
neutral ... but that's a cop-out.
sad ... but that's really just tired.
inspired ... by pipe dreams.
empowered ... but that's an illusion of egocentric politics.
content ... but that was earlier this evening.
happy ... depends how you define it.
I come back as I once did long ago to a kind of Buddhist understanding that most human emotions (start with the powerful ones like fear, greed, love, and joy) are usually attached to our desires and aversions; these distract us from truer, more lasting states of tranquility, which are available to us through spiritual practice and awareness.
On the other hand, Pema Chodron (When Things Fall Apart) came along when I needed her most, after a sudden marriage breakup, teaching me to make the best use of those emotions that were arising in that situation.
Back to present time: I'm skirting again - after even contradicting those emotions I so briefly affirmed. But here I am at least expressing. And if the flow of words is heady and ungrounded, so be the nature of my feeling, as it grows in power again at the very pace of thought and the music of the words playing their way on to the page.
It's kind of like blues vs. jazz -- with blues representing the more raw and direct expression of those human feelings most arising from attachment, and the jazz evolution finding, as it were, new kinds of emotion in the sheer possibilities allowed by freedom and transcendent form. Think B. B. King compared to John Coltrane or Miles Davis.
Besides, it's not me that is the subject of your interest; it's sharing concern about those things that move me. Politics? Well, there's your rage (my rage, actually). If I express that . . . ranting doesn't carry anyone very far. So I have to transform it, into research and networking, to the extent I can act on it all all. Otherwise there is denial; and distraction by myriad masks; yet I still give Buddhism top marks for putting it all in larger, all-embracing perspective.
Personal emotion has again to do with attachment, yet it is very real. For me to express such with you, however, when we have no intimate personal connection, would be inappropriate: it would be the one-sided rant, or like reading over the shoulder someone else's gushing report from summer camp. Or I could portray it (channel it, you might say, from my own experience as well as others') in the form of fiction, drama, or lest I forget, poetry (the spontaneous overflow of powerful feelings recollected in tranquility --Wordsworth).
I guess I'll have to leave it at that for now, to catch some of the latter.
[later ...]
You could say that a great blues artist such as B. B. King also is able to transcend the personal and tap into universal human emotions. In such a case it might be true that the impulse for a song comes from or is enriched by the depth of personal experience, yet in the performance of art that personal feeling is raised to a higher power by the power of music itself, by the invocation of a spirit of communion between artist and audience and also between nature and art. The joy we feel in the presence of a waterfall or crystal stream, or even red-leaf maple dewed with sun-jewels along a city sidewalk, surely transcends whatever issues and emotions we are facing in our personal lives. Such a transpersonal emotion is not an abstraction, however; it is the very essence of our feeling to be alive.
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